Posted: December 31st, 2010
at 4:02am by brian

Tagged with anamorphic, audience, bloody violence, brain, cinematography, close ups, computer generated images, consumerist culture, corporate drone, creative camera, depth of field, dr bailey, edward norton, fear, fight club, film fight club, high contrast, lighting, long shots, nortons, palette, personality, photographs, rack focus, realistic photography, rich exposure, self actualization, shallow depth of field, slide show, spherical lenses, spoiler spoiler, tyler durden, underground society, ups

Categories: Films

Comments: No comments

Posted: November 30th, 2009
at 10:51pm by brian

Tagged with american history x, best actor, cinematographer, close ups, depth of field, edward norton, flashbacks, incarceration, ocean waves, oscar nomination, palette, philosophy, present day, sequences, shallow depth of field, spectrum, tony kaye, ups, visual style

Categories: Films

Comments: No comments

Posted: October 12th, 2009
at 4:41pm by brian

Tagged with aesthetics, anamorphic lenses, backlight, blade runner, cinematographer, close ups, depth of field, director ridley scott, documentary, film blade, fog, ford, foreground, foregrounds, harrison ford, high contrast, kane, lighting setup, medium shots, neon signs, planets, quartet, rays of light, remastered version, replicants, retirement, rick deckard, ridley scott, shallow depth of field, slave labor, uplight, ups

Categories: Films

Comments: No comments